Exhibition Technique Bin
Uncountable little pieces of experience add to a wealth of knowledge that should be shared for the betterment of the community. Please contribute.
"Because of the low light efficiency of all 3D systems (some are better than others but all lose a lot of light) the de facto screen brightness standard for 3D presentations is 4.5 Foot Lamberts (fL) which is only one third of the agreed standard for 2D of 14fL."
So says the introduction to the Harkness Screens free webinar (29 February: 15:00 GMT/10AM Eastern US/ 7AM Pacific US).
In the film world, it is necessary for each format to have a dedicated lens with fixed focal lengths, calculated based on the architecture of the room.) In most theaters,...
First Showing has a nice story about the "Dear Projectionist" letter from producer David Yates sent with the digital print of Harry Potter 7, Part 2. 'Deathly Hallow...
French cinema and television standards are like California pollution standards; more strict than the norm, with active regulation and monitoring to keep standards high fo...
Marketing Guru Adrian Weidmann says, "Always Solve For Why". In the Digital Cinema Age there are several more Quality Control and Security "Whys" than there have ever ...
DCinemaTools.com is pleased to have added a free feature called The Business Directory. Free to use, free to enter. If a per...
I imagine that are many who know more about movie equipment than they do about all the fluff and glamor that pays for it all....
Coming soon, a dynamic list of DCinema tech videos.
The dream of creating DCPs for local commercials and film festivals by artists using simple yet affordable tools just took a ...
Hello; a friend is giving a presentation at Camera Image Conference at the end of November 2011. We would apprecia...
3D Luminance Issues—Photopic, barely. Mesopic, often. Scotopic? Who knows...? We don't mean to be picking on the good ...
There are several groups who represent the varied and specific interests of the community of people with disabilities in...
Marketing Guru Adrian Weidmann says, "Always Solve For Why". In the Digital Cinema Age there are several more Quality Control...
This document is Part 0 of an multipart article that details with the basics of today's transition from film-based cinema to ...
Part I of this series ended with generalities about where DCinema has been and how it got here. Since the series is written...
SMPTE and DCI specs notwithstanding, measuring an auditorium is an art, not a science. Even a non-silver screen with gain is ...
As it is in many fields, the world of cinema involves a broad reach of talent and technology that begins with an artistic i...
When we think of a digital cinema projector's light path, we non-optical designers consider the lamp and reflector housing, t...
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