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Technique Bin

Uncountable little pieces of experience add to a wealth of knowledge that should be shared for the betterment of the community. Please contribute.

Released en francais: DCinema Technical Best Practices

La luminance de toutes les images, dans tous les formats de projection, doit être calibrée à 48 cd/m2. Le projecteur doit permettre la création de cette luminance.

The Federation of Cinemas and the Commission of Best Practices (La fédération des cinémas et la commission supérieure technique) has released a comprehensive document called The Technical Guide for the Digital Cinema Projection Booth (le Guide technique de la cabine cinéma numérique). The quote above, as an example, says that:

"The luminance of all images, in all the formats of projection, must be calibrated at 48 candelas per square meter. The projector must permit the creation of that luminance."

And which professional digital cinema projector doesn't create that level of light? One that is projecting a 3D movie would fit into that category. Please ask your local cinema manager if they are showing the latest movie at the required 14 foot-Lamberts (the 48 candela/m2 equivalent that the US and England uses) like they are supposed to.

If you are signed in, you can download the PDF version of le Guide technique de la cabine cinéma numérique here

 

Scotopic Issues with 3D, and Silver Screens

Scotopic Issues with 3D, and Silver Screens

SMPTE and DCI specs notwithstanding, measuring an auditorium is an art, not a science. Even a non-silver screen with gain is going to have a sweet spot, made even more apparent as the angle of the projector to the screen increases. 

3D and silver screens make this even more 'interesting', something that the Laws of Physics often do to our best hopes.

Read more...

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An InterSociety Group Dealing with Digital Cinema
 
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National Association of Theater Owners
 
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